The summer that Nixon resigns, six teenagers at a summer camp for the arts become inseparable. Decades later the bond remains powerful, but so much else has changed. In The Interestings, Wolitzer follows these characters from the height of youth through middle age, as their talents, fortunes, and degrees of satisfaction diverge.
The kind of creativity that is rewarded at age fifteen is not always enough to propel someone through life at age thirty; not everyone can sustain, in adulthood, what seemed so special in adolescence. Jules Jacobson, an aspiring comic actress, eventually resigns herself to a more practical occupation and lifestyle. Her friend Jonah, a gifted musician, stops playing the guitar and becomes an engineer. But Ethan and Ash, Jules’s now-married best friends, become shockingly successful—true to their initial artistic dreams, with the wealth and access that allow those dreams to keep expanding. The friendships endure and even prosper, but also underscore the differences in their fates, in what their talents have become and the shapes their lives have taken.
Wide in scope, ambitious, and populated by complex characters who come together and apart in a changing New York City, The Interestings explores the meaning of talent; the nature of envy; the roles of class, art, money, and power; and how all of it can shift and tilt precipitously over the course of a friendship and a life.
About The Author
“I don't want to insult Meg Wolitzer by calling her sprawling, engrossing new novel, The Interestings, her most ambitious, because throughout her 30-year career of turning out well-observed, often very funny books at a steady pace, I have no doubt she has always been ambitious. . . . But "The Interestings" is exactly the kind of book that literary sorts who talk about ambitious works . . . are talking about. . . . Wolitzer is almost crushingly insightful; she doesn't just mine the contemporary mind, she seems to invade it."
—San Francisco Chronicle
“A victory . . . The Interestings secures Wolitzer's place among the best novelists of her generation. . . . She's every bit as literary as Franzen or Eugenides. But the very human moments in her work hit you harder than the big ideas. This isn't women's fiction. It's everyone's."
—Entertainment Weekly (A)
“Masterful, sweeping . . . Her clear gaze captures the intricacies of lasting friendship, enduring love, marital sacrifice, bitter squabbles, family secrets, parental angst and deep loss. Though the story hops back and forth in time, it is rarely confusing, frequently funny and always engaging. . . . A story that feels real and true and more than fulfills the promise of the title. It is interesting, yes, but also moving, compelling, fascinating, and rewarding.”