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Camille Dungy
Suck on the Marrow, a historical narrative set in mid-19th century Virginia and Philadelphia, traces the experiences of fugitive slaves, kidnapped Northern-born blacks, and free people of color.
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Robin Ekiss
With disembodied dolls, dank Parisian catacombs, the gilded interior of a Fabergé egg, and the unfathomable edge of Niagara Falls as the dominion of these poems, reading Ekiss's work is like peering into the perfectly still world of a diorama or daguerreotype: an experience both uncanny and uncompromising.
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Dean Rader
Emotionally and intellectually engaging, Dean Rader's debut collection of poetry undertakes provocative questions about identity in original, ambitious, and playful ways.
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Brian Teare
Asserting the lover’s body as a lost Eden, revisiting again and again the narrative of "the fall," Pleasure records the eventual end of mourning and a return to the ecology not of myth but of the literal weather and landscape of California.
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Matthew Zapruder
"Zapruder’s third collection of hip, quirkily haunting yet surprisingly earnest poems is his best and most beautiful. He spans the major genres-love poetry, elegy, ode, friendship tribute, to name a few-updating them for the 21st century." - Publishers Weekly