2024年暑期邁步

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「暑期邁步」 (Summer Stride)  是圖書館的年度暑期學習、閲讀和探索計劃,適合所有年齡及不同程度人士參加。 

從六月開始直至八月,我們將推出以下活動

  • 作者座談會、閲讀書單以及贈書 
  • STEM (科學、科技、工程及數學) 學習 
  • 探索大自然
  • 拓展青少年就業及工作機會
  • 在我們多元化的社區内建立適合各年齡層的有意義連繫

這個暑期來圖書館挑戰自己和他人閲讀、學習和聆聽成果!

新玩法!⭐ 今年,你可以通過三種方式完成「暑期邁步」挑戰!

  • 在「暑期邁步」進度表(Summer Stride tracker)上記錄你完成20小時的閲讀、聆聽有聲書成果或參加任何圖書館活動。 
  • 在Beanstack網上平台記錄你的進度。 
  • 完成「暑期邁步」的賓果樂連線任務卡(SFPL Bingo Card)。

完成挑戰後,前來領取你的獎品,該獎品採用了灣區插畫家Sendy Santamaria所創作的藝術設計! 

 

 

Reading list推薦暑期閲讀

各位學生、家長及教育工作者,我們的年度三藩市聯合校區 (SFUSD) 推薦暑期閲讀書單是熱門、多元化和新出版的 Pre-K 至 12 年級讀物資源。 所有三藩市聯合校區的學生都可以安坐家中從郵箱收到暑期閲讀書單。 現在開始閱讀吧! 下載一份PDF文件格式的2024年SFUSD推薦暑期閲讀書單

 

 

Butterfly on book surrounded by flowers全民閲讀指南

根據與三藩市公立圖書館(SFPL)合作的三藩市人權委員會的行政主任Sheryl Evans Davis, Ed.D制定的讀寫指南,率先開始完成你的閲讀目標。 課程寓教於樂,融學於趣味活動,支持讀者用新方法的學習。此外,《全民閲讀指南》(Everybody Reads Guide )包括了出自著名多元化作者和插畫家兼與文化相關的節選故事。下載PDF文件格式的《全民閲讀指南》

 

Drawing of two people enjoying a leisurely read

成人讀者的閲讀推薦

我們有很多好建議可以幫助你衝刺「暑期邁步」 (Summer Stride) 的終點線。 查看這些新鮮出爐的選擇!

另外,今年我們亦提供《成人 + 青少年 暑期邁步指南》,本指南為廣大讀者提供如何在SFPL度過暑期的最佳貼士。 前往鄰近你的社區圖書館領取複印本指南,或在此處下載PDF文件格式。 (備注: 我們的暑期邁步bingo賓果樂連線任務卡 見於指南的背面!)

適合所有年齡的精彩免費活動

每年暑期,圖書館都會為所有年齡人士提供眾多高質量的免費活動。活動包羅萬有,從向孩子們傳授大自然知識到屢獲殊榮的藝術家音樂表演,再到以環境行動主義為專題的專家演講、園藝、以灣區為背景的電影放映、健身課程以及手工藝術作坊,你會在圖書館找到你熱愛參加的活動或課程。  

查看我們全部的青少年活動

查看我們全部的成人活動

齊來認識 2024年「暑期邁步」藝術家Sendy Santamari

Sendy Santamaria是一名來自聖地亞哥的插畫家和作者,現居於加州聖巴勃羅(San Pablo)。 她在聖地亞哥和提華納(Tijuana)之間的邊界的兩側附近成長。 她首次出版的圖畫書Yenebi's Drive to School (Chronicle Books, 2023),突出描繪她每個工作日從提華納到聖地亞哥上學的經歷。 她的藝術靈感來源於移徙、堅毅、鴿子和愛。 在Instagram關注她@quepasomijoo

Woman smiling_by Kristin Cofer
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Q: What were you thinking about when creating the Summer Stride vignettes? 

A: When I made the Summer Stride art, I thought about walking to the library on a sunny summer day. With the hummingbirds, butterflies, pigeons traveling alongside you. I thought about the people that come to the library and the reasons they go there. The library is so wonderful because it doesn’t matter how old you are, what your economic status is or how good of a reader you are. Everybody is welcome and there’s something for everyone. I tried to represent this in my artwork as well as the beautiful nature that is unique to San Francisco.

Q: What tools do you use to create art? 

A: I use acrylic paint, paintbrushes, pencils, tracing paper, color aid guide, a ruler, Procreate on my iPad and Adobe Photoshop on my Wacom tablet. 

Q: What artists have influenced your work? 

A: I am very much inspired by all forms of art that have storytelling at their core. I like to get inspired by music, films & tv shows, and stories passed down to me from my family. I like how everyone has their own flair when telling a story and I like to pay attention to that delivery. I am very inspired by people that do things in their own way and aren’t afraid to start something new. Some artists who have influenced my work are Los Tigres Del Norte (music), Nortec Collective (music), Bojack Horseman (tv show), La Rosa de Guadalupe and Spy Kids. Also literally anything by Guillermo Del Toro.

In terms of visual artists, I would say Barry McGee & Margaret Kilgallen, Gloria Muriel, PANCA, Charles Burns and the Chicano Park muralists (Victor Ochoa, Dolores Serrano, Raul José Jaquez to name a few). 

Q: What advice do you have for aspiring illustrators? 

A: My advice is to not strive for perfection and don’t compare yourself to others. Everyone is on their own path and learns at their own pace. What makes your work unique is that it is made by you! Illustrators also usually work really long hours and spend their time alone while they are creating. Make sure you stretch, eat all your meals and step away from your work from time to time so you can take care of yourself and come back to it with fresh eyes. Don’t pull all nighters!

Q: How have public libraries played a role in your life? 

A: The public library has always been there for me anywhere I am. When I was younger, and had limited resources at home, I used the resources provided by the library as much as I could. I would use the printer, borrow the computers and would go read or doodle when I needed a serene place. As I got older, I still came to the library for these reasons and would even go to their digital labs where they had computers with Adobe programs for creative projects. 

The library was and is the best place to escape the noise, learn in your own time and recenter yourself before going about your journey.

Q: Do you listen to music or sounds when you’re creating? What does your playlist include? 

A: This one is hard because I feel like when I am working on something I always have to listen to sounds while creating! I like all kinds of music and what I listen to depends on my mood or what I am working on. Some of the music I would listen to would probably be a playlist with Cafe Tacvba, Jenni Rivera, Los Acosta, Blood Orange, Babasonicos, Devendra Banhart, Toro y Moi, Gerardo Ortiz, Bad Gyal and Alabama Shakes. 

I also love listening to the soundtrack and score of a movie I love or just watched. I find it inspiring how they capture the feeling of a scene through sound. Some favorites are the Princess Diaries score, A Cinderella Story (Hilary Duff), Mulan, Frozen, Amores Perros and Moonlight.

Q: What was your favorite book as a child?

A: The Giving Tree by Shel Silverstein and The Very Hungry Caterpillar by Eric Carle.

Q: What’s your favorite place to visit in SF?

A: My favorite place to visit in SF is the Mission. I love walking around surrounded by beautiful murals, getting some pupusas and going to Dolores Park. 

Q: What is your favorite summertime snack?

A: A coconut raspado (shaved ice) with lechera (condensed milk) & tostilocos with chopped mango instead of cueritos (pork rinds).

Q: What’s your go-to place when you want to be inspired? 

A: I think taking a long bus trip for me is the best place to get inspired. I don’t know exactly what it is about it that makes it a great place for peak creativity. It may be because it’s on the move and you're surrounded by (for the most part) friendly strangers who are deep in thought waiting for their stop. 

Q: Pigeons and transportation play a significant role in your work – as seen in Yenebi’s Drive to School – and your more general artwork. What meaning do you find in both?

A: My grandma taught my siblings and I how to take public transportation early on, so we learned how to navigate the city since we were kids. I loved taking public transit and spent a lot of time waiting to get from one place to another so I would draw to pass the time. I looked around to find subjects to draw in my surroundings and nearly every time there would be a pigeon around. No matter where I was. They’re often overlooked because there are so many of them—but they are always there, keeping us company whether we want them to or not, reminding us that we are not alone.

Transportation has played a big role in my artwork because, like the library, it is also a place where people from all walks of life gather. People are going about their journeys either to school, from their homes to their work or the other way around, to their doctor’s appointments or a birthday party. The reasons are endless, but I think there’s something special about sharing space even if it’s just for a moment before we all go about our lives.