Doré, Pam!

1999

Neurotic housewife goes mad, in the style of 20's slapstick films

Amano, Juna

1999

We meet a woman who accidentally double-books her dates one night.

Lanteigne, Kat

1999

Surreal-y set in the 1950’s, a tale of young Wilma’s romantic escapades with Christine, a woman from the ‘outside’ world.

Giusti, Stephane

1999

Why Not Me? is a delightful bon-bon of lesbian lust and love served up by a dynamic new dyke director, and sweetened by wonderful performances from a mixed cast of established stars and charming young newcomers.  Camille, Eve, Ariane and Nicolas aren't just partners in "Lovespace," the publishing house that they have launched together, they also share a dependency on Gloria Gaynor, a passion for members of their own sex, and a reluctance to come out to their parents. Josepha, Camille's mom, is the only one who knows. When she decides to organize a weekend at her château so that the truth can be told, nothing goes as planned. Secrets are revealed. Passions are inflamed. Secrets, drama, chases, wild laughter and compromising situations erupt, and even the parents find themselves experiencing love in surprising new ways. According to director Stéphane Giusti, "Why Not Me? is a ‘gay’ comedy in every sense of the word. Contemporary, colorful, glamorous, shocking, funny and sentimental, it’s a film not just for today, but for the next millennium." And like all the best comedies, this one also has a serious moral: "In the end, what matters is not whether you are black, white or homosexual, but whether you are true to yourself."

Giusti, Stephane

1999

Goodman, A. Rosser

1999

Aloof butch finds herself face to face with her fantasy girl in unreal situations until finally fantasy becomes reality

Cummings, Kim

1999

When Katie finds her best friend kissing another girl, her world turns upside down. Best friends forever, Katie and Maura have dreamed of being in a live mermaid show for as long as they can remember. It's the summer of '79, they're 15 and everything is changing; especially when Katie discovers Maura's secret.

Sandler, Eve

1999

As her grandmother tells stories of "wash day," the videomaker examines her body and memory for signs of childhood sexual abuse and survival. The WASH is a rich portrait of incest, silence, and love in what is ultimately a cleansing ritual.

Sieglitz, Michele

1999

B/W "Multi-media" poetry exploring love, loss and transcendence through nature, texture, light and sound.

Ferreras, Alberto

1999

An experimental short on Lesbian Erotica.