This title is part of the Frameline Film Festival Collection at the San Francisco Public Library.


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Director

Newman, Suzanne

Year

1999


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This title is part of the Frameline Film Festival Collection at the San Francisco Public Library.


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Director

Brautman, Jen

Year

1999

Synopsis

Onion SKin is a surreal story of one woman's struggle to come to terms with the gender confusion of her childhood.


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This title is part of the Frameline Film Festival Collection at the San Francisco Public Library.


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Director

Crouch, Catherine

Year

1999

Synopsis

Dramatic comedy about a rambunctious 8-year-old tomboy living in South Carolina in 1969 who is taught by her parents that she can do anything she wants.


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This title is part of the Frameline Film Festival Collection at the San Francisco Public Library.


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Director

Wenczel, Sabine

Year

1999

Synopsis

A short video about cooking and seductive pleasure.


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This title is part of the Frameline Film Festival Collection at the San Francisco Public Library.


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Director

Wilkins, Diane

Year

1999

Synopsis

This video satirizes views on lesbianism held by many health experts in the 1950s.


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This title is part of the Frameline Film Festival Collection at the San Francisco Public Library.


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Director

Camarda, George

Year

1999

Synopsis

Eddie, a young photographer, adjusts to life following his lover's death from AIDS. He is despondent and scared to uncover his own status, but forced to face reality when he learns that his lesbian best friend has chosen someone else to be the father of her child.


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This title is part of the Frameline Film Festival Collection at the San Francisco Public Library.


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Director

Reding, Dominik

Year

1999

Synopsis

Janosch leaves his home at the lake of Constnce and travels to Dormund, meeting his old friend and skinhead, Koma

Description

No doubt about it, the life of a German skinhead can be dangerous and self-destructive. But for an aimless young man like Janosch, it is also undeniably seductive – especially as embodied by the charis-matic Koma. Janosch admires Koma – an old school chum who brags that he is neither right wing nor left wing, just 100% skinhead – for many reasons. He’s tall, strong and knows kick-boxing. Most of all, he had the balls to leave the quiet country town they grew up in far behind. Koma likes Janosch, too, if only because Janosch’s admiration makes him feel important. So, when Janosch gets kicked out of school, it’s only a matter of time before he and Koma are living together, working in the same brewery and sharing the skinhead lifestyle. Soon they both have pregnant girlfriends, too. But a chance encounter at a tattoo parlor leads to unexpected conflict. Zottel is no skinhead – just a drunk, stoned, filthy, fire-breathing gay anarchist – and Janosch has never seen anything like him. Unfortunately, Koma is convinced that Zottel is the one who burned down his hideout in an abandoned quarry, and he wants revenge. By the time Janosch realizes just what Zottel means to him, it is too late to divert Koma’s murderous rage – or to have a happy ending.


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This title is part of the Frameline Film Festival Collection at the San Francisco Public Library.


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Director

Murnberger, Wolfgang

Year

1999


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This title is part of the Frameline Film Festival Collection at the San Francisco Public Library.


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Director

Lee, Paul

Year

1999

Synopsis

Relationship between a Japanese monk and a young novice.


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This title is part of the Frameline Film Festival Collection at the San Francisco Public Library.


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Director

Reichardt, Kelly

Year

1999

Synopsis

Ode is the story of Bobbie Lee, an all-American girl living in an all-American town. Like a lot of girls her age, 16-year-old Bobbie Lee has a boy on her mind. His name is Billie Joe McAllister, and Bobbie Lee just learned that he has jumped off the Tallahatchie Bridge. She flashes back to the first time she saw him, and to their slow courtship, kept secret from her strict parents. But Billy Joe had a secret, too, one which he told only to Bobbie Lee. The languid pace of this film perfectly captures an awkward Southern adolescence as it presents one possible back-story of the famous Bobbie Gentry song.


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