Gellman, Dara

1998

A brief moment of two women kissing, reclaimed from the lesbian subtext of a popular sci-fi t.v. program, is transformed into a sexy epic of queer desire.

Kennerley, Annette

1998

This short poetic film looks at the gap in between being in a relationship and being single again.

1998

1998

Saito, Machiko

1998

The best of Femme TV the late night variety show for femmes, fags and freaks.

Ahlitchs, Kerstin

1998

11 year old Lilly is desperately in love with her classmate Claudia who has a crush on Lilly's horrible brother .

T-Sue,

1997

The story of the clamour that arises from the actions of taking and being taken is one that happpens to anybody, men or women, anywhere and at any time. The love oof the two accelerate together with the Tokyo night.

Wounded Bird is a violence-riddled Japanese lesbian fantasy of pursuit and capture, seduction and betrayal, sex and guns, whose superb art direction and musical scoring utilize Yakuza-inspired gangster styles and esoteric song samples to create an erotically-charged cinematic experience.

Raine, Amanda

1997

The film follows four lesbians on a night out-they are going to have a good time and no one is going to stop them!

Lang, Samantha

1997

The sun can't seem to shine in this eerie thriller that suffuses the otherwise sun-baked Australian Outback with a sickly pallid light. Aging spinster, Hester, brings home the spirited Katherine to assist with the chores of her decrepit ranch home. In contrast to the burdens of her ailing father, Katherine's youthfulness offers Hester a ray of golden sunshine in her dismal gloom, and their developing relationship helps her overcome her frustrations and giddily inspires her beyond the everyday. When the old man dies, Hester supplements the inheritance with the sale of the old ranch house, and the two women find an ideal fantasy world in a new cottage home. Then one night everything changes — Katherine runs over a man out on their deserted road. Fantasy turns into feverish nightmare, as distrust, paranoia, and horror begin to run rampant. Samantha Lang, working from a script by Jane Campion collaborator, Laura Jones (ANGEL AT MY TABLE, PORTRAIT OF A LADY), has created an uncomfortable thriller in her feature debut. Creepily photographed in a constricted palette of blues and greens, THE WELL is as paranoid and suffocating as any of Polanski 's better films.

Parmar, Pratibha

1997

Pratibha Parmar's Wavelengths, is an erotic exploration of cybersex.