| San Francisco Public Library

Director: Baumann, Thomas
Year: 1992
Synopsis: Everything you ever wanted to know about drag queens (old school). Queens of Columbus is unapologetic, tightly-focused, and very engaging.

Director: Colyer, Vince
Year: 1992
Synopsis: A droll and creative catalog of role models available for gay men.

Director: Haber, Rosalind
Year: 1992
Synopsis: Oy Gay was made for British TV's Out series. It is a concise account of the political and cultural concerns of gay and lesbian Jews in Great Britain. Oy Gay rings with messages of tolerance and survival.

Director: Carr, Shan
Year: 1992
Synopsis: Out for Laughs is a queer “Laugh-In”; see your favorite local queer comics show their stuff in the brilliant half-hour TV variety show.

Director: Nakajima, Takehiro
Year: 1992
Synopsis: Okoge in Japanese means rice that is stuck to the bottom of the rice-pot and is colloquially used to refer to "fag-hags." This is the hilarious story of one such lovely young girl and her relationship with a strapping young man and his corporate-closeted married lover. She often lets the two men use her flat for their trysts, to the chagrin of her inquistive neighbors. The closeted lover's wife eventually finds out about this secret meeting place, leading to a series of very campy and highly enjoyable scenarios.

Director: Whiteley, Sara
Year: 1992
Synopsis: Portrait of an outlaw: Christian pornographer/author Red Jordan Arobateau.

Director: Corsicato, Pappi
Year: 1992
Synopsis: Slim on gay content but high on gay style, it relates a trio of modern stories set in three different parts of southern Italy’s seductive city. In the first tale, Aurora (Iaia Forts) sees her smug, nouveau riche world crumble when her shady, never-seen husband sleeps with his secretary. In the closing comic story, Libera (also played by Forte) has a similar problem with her lazy husband’s infidelity, but she hatches a plan to exact revenge and profit. Carmela’s tale is the one that holds most interest for gay audiences. Handsome Sebastiano arrives home from reform school; Carmela doesn’t mind that her son is gay, but she can’t cope with his questions about his long-gone father. Amid plans for a neighborhood wedding (and Sebastiano’s seduction of a local salesman), the truth comes out.